Geek Toys

Among the wackiest technologies that I’ve seen during this election night is CNN’s hologram technology — something that was predicted back in the Star Wars era.

There’s not much info as to exactly how this stuff works, other than what USA Today has reported:

CNN will have 44 cameras and 20 computers in each remote location to capture 360-degree imaging data of the person being interviewed. Images are processed and projected by computers and cameras in New York. There’ll also be plasma TVs in Chicago and Phoenix that will let the people being interviewed see Blitzer and other CNN correspondents. Bohrman says the network can project two different views from each city so Blitzer can appear to be in the studio with two holograms.

Jessica Yellin was the first CNN reporter to be "beamed" to the New York newsroom, where Wolf Blitzer interviewed her — and she reported that there were only 35 cameras pointed at her, and that "talk to the cameras in New York." Apparently representatives in the Obama campaign in Chicago and the McCain campaign in Phoenix will be interviewed as holograms later in the evening.

It’s still unclear who makes this hologram technology, nor how much it costs, nor how exactly it works — nor when I’m going to get it in my house. Man, and I was just getting used to Skype video chat. Still, scope out the video below.

Canon just rolled out a monster DSLR camera. The Canon EOS 5D Mark II is not going to be cheap when it’s available in November ($2700 for the body, lenses extra), but for that wad of cash it brings along a professional feature set that’s never been seen before. Besides its hot shooting capabilities, it’s the first digital SLR to let you shoot 1080p video at 30 frames per second, nearly matching the crispy-clean picture quality of Blu-ray discs, and slam-dunking the Nikon D90 DSLR’s measly 720p HD video shooting.

Its associated numbers are astonishing, such as a 21.1-megapixel low-noise sensor, and low-light performance that lets you shoot in near-darkness with a 6400 native ISO. That beats the Nikon D300, D3 and D700’s super-clean 3200 ISO capability that’s so impressed us in low-light shooting situations. Of course, the EOS 5D has Live View, letting you use its 3-inch viewscreen to frame up your shots, and the pros will especially like its huge, full-frame sensor. Even Nikon freaks are getting tempted. Click Continue for the press release:

Canon U.S.A. Introduces the Highly Anticipated EOS 5D Mark II DSLR Camera Featuring Full-Frame HD Video Capture

The Canon EOS 5D Mark II Escalates Full-Frame Digital SLR Photography to the Next Level with HD Movie Recording Capabilities, DIGIC 4 Imaging Processor, and 21.1 Megapixel Resolution

LAKE SUCCESS, N.Y.–(BUSINESS WIRE)–Canon U.S.A., Inc., a leader in digital imaging, today introduced the EOS 5D Mark II Digital SLR camera, the long-awaited successor to Canon’s highly popular EOS 5D, introduced in 2005. Building upon the qualities that made the EOS 5D camera so successful, Canon has coupled the creative power of a full-frame CMOS sensor in a relatively compact and affordable camera body, together with groundbreaking HD video capture that opens the door to a much wider range of imaging possibilities for photographers. Along with the ability to capture full HD video clips at 1920 x 1080 resolution, Canon’s EOS 5D Mark II Digital SLR camera features a 21.1-megapixel full frame 24 x 36mm CMOS sensor, DIGIC 4 imaging processor and significantly lower noise, with an expanded sensitivity range from ISO 50 to ISO 25,600.

“The anticipation surrounding the launch of this camera model has exceeded our greatest expectations, and we believe our loyal customers will be awed by the level of innovation and features built into the new EOS 5D Mark II Digital SLR. Once they have the chance to experience the camera, we believe they will agree that it was worth the wait,” stated Yuichi Ishizuka, senior vice president and general manager, Consumer Imaging Group, Canon U.S.A.

Among the many advancements in Canon’s new EOS 5D Mark II camera is the Company’s proprietary DIGIC 4 Imaging Processor that powers the camera’s fast 14-bit analog-to-digital conversion for smooth color tones and exceptional gradation. The Canon EOS 5D Mark II Digital SLR offers a full-frame 24 x 36mm, 21.1 megapixel CMOS sensor and continuous shooting at 3.9 frames per second (fps) for an unlimited number of full-resolution JPEGs to the capacity of the memory card or up to 14 RAW images in a single burst when using a UDMA CF card. The camera includes a 15-point Autofocus (AF) sensor with nine selectable AF points plus six additional Assist AF points (three center AF points sensitive to f/2.8 lenses) with enhanced light source detection and AF microadjustment for greater autofocus performance. The EOS 5D Mark II camera also features a large, clear 3.0-inch Clear View LCD screen with 920,000 dot/VGA resolution, four times the pixel count of the EOS 5D camera’s 2.5-inch screen, for enhanced clarity and color when viewing images. The new camera is equipped with a high-performance, high-magnification optical viewfinder providing 98 percent coverage, giving a new dimension to the saying, “what you see is what you get.” Professional photographers will also appreciate the enhanced 150,000-cycle shutter durability of the EOS 5D Mark II camera.

Canon, the first company to introduce a full-frame digital camera, has improved the EOS 5D Mark II Digital SLR camera’s newly developed full-frame CMOS image sensor. Utilizing proprietary Canon technology, the Company has reduced noise and expanded the sensitivity of the CMOS sensor up to ISO 25600, which is three full stops higher than the ISO 3200 limit of the original EOS 5D camera. Although the individual pixel dimensions of the EOS 5D Mark II camera are the same as the 21.1-megapixel CMOS sensor used in the EOS-1Ds Mark III digital SLR, the new sensor incorporates an improved output amplifier and a more advanced color filter that improves light transmission while retaining excellent color reproduction. By applying the same kind of advancements in sensor design and image processing technology as the recently introduced EOS 50D camera, but at higher resolution and with larger pixels, the EOS 5D Mark II achieves the highest level of image quality of any EOS Digital SLR released to date.

With the combination of its improved CMOS image sensor and the powerful new DIGIC 4 image processor, the Canon EOS 5D Mark II camera provides ISO speeds from ISO 100 up to ISO 6400 in 1/3-stop increments, along with two high-speed settings – H1 and H2 – of ISO 12800 and ISO 25600, respectively, as well as a low-speed setting of ISO 50. The full-frame sensor maximizes the performance of Canon EF lenses, the world’s largest selection of autofocus lenses.

HD and SD Video Capture

Canon has taken its expertise in imaging, photography and video capture technology to a new level with the EOS 5D Mark II Digital SLR. Answering the question of where SLR technology is going next, the EOS 5D Mark II features 16:9 Full HD video capture at 1920 x 1080 pixels and 30 fps as well as 4:3 standard TV quality (SD) video capture at 640 x 480 pixels and 30 fps, both capabilities appearing for the first time in a Canon SLR camera. Video capture is part of the camera’s Live View function, using the Picture Style that has been set for Live View still image shooting. This allows skilled photographers and cinematographers to adjust image sharpness, contrast, color saturation and white balance, and have those settings apply to the movie image. When recording video, the camera’s rear LCD screen can be letter-boxed by a semi-transparent border to match the aspect ratio of the movie recording size. Moreover, the EOS 5D Mark II camera’s HD video capability enables new levels of creative expression through its unfettered access to the complete line of more than 60 Canon EF lenses, which provide an incredible variety of visual effects including everything from ultra-wide-angle and fish-eye to macro and super-telephoto, including many large-aperture L-series professional lenses that can keep the main subject in razor-sharp focus while blurring the background beyond recognition.

The EOS 5D Mark II will record video up to 4GB per clip or a maximum continuous movie capture time of 29 minutes and 59 seconds, whichever comes first. Depending on the level of detail in the scene, a 4GB memory card can record approximately 12 minutes of video at full HD resolution or approximately 24 minutes in standard definition.1 Video clips are recorded in .MOV format using an MPEG-4 video compression and sound is recorded using linear PCM2 without compression. The new camera features an input terminal for external stereo microphones as well as a built-in monaural microphone for convenience. To help show off those fantastic movies as well as still photos, the EOS 5D Mark II camera includes an HDMI (High-Definition Multimedia Interface) output to display crisp, clear images on a High-Definition TV.

Live View Shooting

For both still images and video, the Canon EOS 5D Mark II camera features Live View, one of the most sought after features in digital SLRs today. The 5D Mark II features three Live View AF modes – Quick, Live and Face Detection Live mode – for capturing either still photos or video, each with its own attributes. Quick mode automatically sets One-Shot AF using the camera’s phase detection AF system. It also allows users to select the AF point, even while the Live View image is displayed. Although the camera’s reflex mirror must be lowered briefly to take an AF measurement in Quick mode, it is the fastest way to set focus automatically when the 5D Mark II camera is set for Live View.

Live mode uses contrast-detection AF with the image sensor and here, as with Quick mode, users can change the AF point using the Multi-controller. Face Detection Live mode uses contrast AF to recognize human faces. When multiple faces are detected, the largest face closest to the center of the frame is targeted as the AF point. While Live View is engaged users can still change settings including the AF mode (Quick, Live, Face Detection Live mode), drive mode, ISO speed, Picture style, White Balance, and more.

Peripheral Illumination Correction

The Canon EOS 5D Mark II Digital SLR camera automatically conducts peripheral illumination correction when shooting JPEG images, a function that previously could only be accomplished through post-image processing using software such as Canon’s Digital Photo Professional, which Canon supplies at no extra charge. Peripheral illumination correction evens brightness across the image field, making an image of a blue sky even toned throughout and reducing light fall-off at image edges. This new feature essentially eliminates one of the limitations of previous full-frame digital SLRs.

Auto Lighting Optimizer

Canon’s enhanced Auto Lighting Optimizer technology helps ensure each picture’s subject is clearly visible by analyzing image brightness and automatically adjusting dark areas in images so that they appear brighter. This function is ideal in high-contrast situations such as urban landscapes captured on sunny days, where the tops of buildings are brightly lit while street level details are obscured by heavy shadows. In this type of scene, the 5D Mark II camera’s Auto Lighting Optimizer technology preserves accurate exposure of the highlights while opening up the shadow areas for a more pleasing tonal rendition.

Canon’s New Creative Auto Mode

Recently introduced with the new EOS 50D, Canon’s “CA” Creative Full Auto setting can also be found on the EOS 5D Mark II Digital SLR camera’s mode dial. This setting allows users to make image adjustments such as aperture or shutter speed through an easy-to-understand navigation screen on the camera’s LCD menu, allowing them to “blur the background” or “lighten or darken the image.” These easy-to-understand image options allow photographers to experiment with image options while still shooting in an automatic mode.

Two Small RAW Formats

For photographers seeking the flexibility and creative possibilities of shooting RAW format images, without the large file size, the Canon EOS 5D Mark II Digital SLR camera offers two more manageable file size options with sRAW1 and sRAW2 recording formats. At the sRAW1 setting, resolution is 10.0-megapixels with a file size that is approximately 25 percent smaller than a standard 21.1-megapixel RAW image. With the sRAW2 setting, resolution is 5.2 megapixels at less than half the file size of a standard RAW image, retaining all of the flexibility and creative possibilities associated with full-size, conventional RAW images. Wedding and portrait photographers, in particular, will appreciate the options of variable resolution and file size which allow them to fine-tune the 5D Mark II’s operation for their specific needs.

Silent Shooting in Live View

Canon has equipped the EOS 5D Mark II with two Silent Shooting modes in Live View which will prove particularly helpful to law enforcement officials, and for behind-the-scenes shooting on movie sets. In Mode 1, the camera will shoot with the mechanical shutter open at the beginning of the exposure, using the electronic 1st-curtain function of the CMOS sensor and a reduced shutter-cocking noise, allowing multiple shots to be taken with minimal noise. In Mode 2, to minimize shutter noise during single frame photography, shutter cocking does not occur until the shutter button returns to the half-way position after shooting.

EOS Integrated Cleaning System

With the introduction of the EOS 5D Mark II camera, the entire Canon EOS system is now equipped with the highly acclaimed EOS Integrated Cleaning System. The Self-Cleaning Sensor Unit for the Canon EOS 5D Mark II has been upgraded with a fluorine coating on the low-pass filter for better dust resistance.

Pricing and Availability

The Canon EOS 5D Mark II Digital SLR camera is compatible with Canon EF lenses and is scheduled for delivery by the end of November. The EOS 5D Mark II will be sold in a body-only configuration at an estimated retail price of $2,6993. It will additionally be offered in a kit version with Canon’s EF 24-105mm f/4L IS USM zoom lens at an estimated retail price of $3,4994.

New EF 24mm f/1.4L II USM Lens

The new EF 24mm f/1.4L II USM lens is the successor to Canon’s EF 24mm f/1.4L USM professional wide-angle lens released in 1997. Targeting professional photographers, the new EF 24mm f/1.4L II USM lens has been introduced to address the advancements high-resolution digital SLR cameras with re-designed optics and use of a new anti-reflection lens coating called SWC (Sub-Wavelength Structure Coating) to minimize ghosting and flare. Features such as dustproof and waterproof construction that have been adopted make this a high-performance lens with specifications that respond to the demands of professional users. A welcome complement to the EOS 5D Mark II Digital SLR camera, the EF 24mm f/1.4L II USM lens is scheduled to be in stores this December at an estimated retail price of $1,6995.

About Canon U.S.A., Inc.

Canon U.S.A., Inc. delivers consumer, business-to-business, and industrial imaging solutions. Its parent company, Canon Inc. (NYSE:CAJ), a top patent holder of technology, ranked third overall in the U.S. in 2007†, with global revenues of $39.3 billion, is listed as one of Fortune’s Most Admired Companies in America and is on the 2007 BusinessWeek list of “Top 100 Brands.” To keep apprised of the latest news from Canon U.S.A., sign up for the Company’s RSS news feed by visiting www.usa.canon.com/pressroom.

† IFI Patent Intelligence Press Release, January 2008

All referenced product names, and other marks, are trademarks of their respective owners.

Specifications and availability are subject to change without notice.

1 According to Canon’s standard test methods.

2 A method of converting audio and other analog signals into digital data. It is recorded without any compression.

3 Pricing subject to change at any time. Actual prices are determined by individual dealers and may vary.

4 Pricing subject to change at any time. Actual prices are determined by individual dealers and may vary.

5 Pricing subject to change at any time. Actual prices are determined by individual dealers and may vary.

Product summary

Canon EOS 50D

Manufacturer: Canon USA

Part Number: 2807B006

CNET editors’ take

• By: Lori Grunin
• Published on: 08/25/2008

(Credit: Canon USA)

Bringing another rumor cycle to an end, Canon has announced the EOS 50D, a follow-up to the popular 40D, which will remain available at least through the end of the year. Though the timing seems a bit surprising–the 40D is only a year old, and midrange dLSR cycles tend to run closer to 18 months rather than 12–it was probably inevitable once the Rebel XSi, which is very similar to the 40D, shipped.

Built around the identical body as the 40D–the only differences are the name plate and mode-dial bezel–the 50D brings with it a bump to 15 megapixels. According to Canon, the new sensor has smaller pixels than that of the 40D’s 10-megapixel version, but the company claims superior noise and image quality; 1.5 stops better, in fact, thanks to an improved manufacturing process and larger, gapfree microlenses that effectively result in the same light-sensitive area, according to Canon.

In combination with an upgrade to a newer version of the company’s image processor, dubbed Digic 4, Canon also says that the higher resolution won’t impose a significant performance penalty, and that the 50D will be able to maintain burst speeds close to the 40Ds. And now that the camera’s CompactFlash supports UDMA, the burst buffer can process more shots–JPEGs, at least.

And though it has a 3-inch LCD like the 40D, Canon has switched to the same higher-resolution display found on the Nikon D300

Some key differences:

50D
40D

Sensor
15.1-megapixel CMOS
10.1-megapixel CMOS

Sensitivity range
ISO 100 to ISO 12,800
ISO 100 to ISO 3,200

Image processor
Digic 4
Digic III

Continuous shooting
6.3 fps
90 JPEG/16 raw
(60 JPEG with non-UDMA card)
6.5fps
75 JPEG/17 raw

Autofocus
9-pt AF
all cross-type to f5.6
high-precision diagonal cross-type in center to f2.8
9-pt AF
all cross-type to f5.6

Price (body only)
$1,399
$1,099

The Digic 4 enables some other new capabilities, including face detection in Live View mode (up to 35 faces), additional settings for the Auto Lighting Optimizer and high-ISO noise reduction (low, medium, and strong), and user-requested variable raw sizes of 7 and 3.8 megapixels. There are also some tweaks to the autofocus system, for example compensation for pulsed versus constant illumination, and support for in-camera lens databases that enable it to perform vignette correction and ensure undergraded illumination across the entire frame. Finally, Canon has improved the dust prevention, with a fluorine coating in front of the low-pass filter to deal with sticky dust.

Canon expects to ship the 50D in early October. The body will run $1,399, and a kit with the f3.5-5.6 28-135mm IS USM lens will cost $1,599.

Eight iPhone owners have joined an elite clan: Their Apple gadget is running a program that cost nearly $1,000.

W hen the iPhone first hit the market in June 2007, those who paid the $499 entry price — and signed the two-year AT&T contract — owned a status symbol. A year later, we have the iPhone 3G, Apple’s speedier, sleeker and, most important, less expensive smart phone, which introduced a section for downloading third-party applications. Now that the phone is affordable enough for a wider audience, a new status symbol has emerged: a seemingly useless application called I Am Rich.

Its function is exactly what the name implies: to alert people that you have money in the bank. I Am Rich was available for purchase from the phone’s App Store for, get this, $999.99 — the highest amount a developer can charge through the digital retailer, said Armin Heinrich, the program’s developer. Once downloaded, it doesn’t do much — a red icon sits on the iPhone home screen like any other application, with the subtext “I Am Rich.” Once activated, it treats the user to a large, glowing gem (pictured above). That’s about it. For a thousand dollars.

Apple apparently had some problems with I Am Rich. After initially approving it for distribution, the company has since removed it from the store. Heinrich, a German software developer, has yet to hear back from Apple concerning the removal. “I have no idea why they did it and am not aware of any violation of the rules to sell software on the App Store,” Heinrich said in an e-mail with The Times today.

But Apple couldn’t pull it down before curious aristocrats — eight of them — had purchased it. Six people from the United States, one from Germany and one from France dropped a grand for the gem in the first 24 hours it was available, Heinrich said. That’s $5,600 in revenue for Heinrich and $2,400 for Apple, which collects 30% of each sale for “store upkeep.”

In the e-mail, Heinrich said there seemed to be a market for the program. “I am sure a lot more people would like to buy it — but currently can’t do so,” Heinrich said. “The App is a work of Art and included a ’secret mantra’ — that’s all.”

A possible explanation for its removal: A screen shot of an App Store review that has been circulating around the Web recently, showing a user’s complaint that he purchased it accidentally. “I saw this app with a few friends and we jokingly clicked ‘buy’ thinking it was a joke, to see what would happen. … THIS IS NO JOKE…DO NOT BUY THIS APP AND APPLE PLEASE REMOVE THIS FROM THE APP STORE,” it read.

I Am Rich isn’t the first software that has been removed from Apple’s store. Box Office, a movie showtime resource, and NetShare, which let users connect a computer to the Internet using the iPhone’s 3G wireless data service, disappeared without a trace. Apple did not respond to phone calls for comment.

UPDATED: In a follow-up e-mail, Heinrich said he had not yet received his $5,600 check from Apple, which has a policy of paying developers at the end of each calendar month. He’s unsure how the app’s removal will affect the payment process.
“I’ve got e-mails from customers telling me that they really love the app,” adding that they had “no trouble spending the money,” he said.

UPDATED: Heinrich confirms the validity of the review pictured in the screenshot, and Apple has refunded his and another buyer’s money. “I don’t want to collect money from people who did this by accident and I am glad that Apple returned the money for two orders,” Heinrich said.

Here’s a revised version of the trailer for Joss Whedon’s new show Dollhouse, which explains the show’s concept much more clearly and features a lot more ass-whuppin’. Plus, parachuting and assassining. The show’s central conceit — that these “Actives” are blank slates who can be programmed to have any skillset or emotion — comes out really clearly. Plus it gives a hint of one of the show’s main sources of conflict. Those of you who had a tepid response to the first version should check this one out. [Whedonesque, via Damon/Zeitgeist]